navbar
 

pbousquet@scu.edu 223 St. Jos. Hall, 551-7088


office hours:
M 5-6  pm
W 530-630 pm
and by appt.

English 138: Spring 2007
Mondays 6-9 pm, A&S 128, the
journalism lab

This course is in part a "practicum," meaning that it emphasizes practicing or participating in the the object of study.

In this case, what you'll "practice" is composing for digital publication to the world wide web:

Personal website: including a home page, pages for other interests, schoolwork, career needs (such as a resume, recommendations, or writing sample) etc.

Personal Hypertext Project. This can be anything you wish, so long as it expresses an aspect of your "networked self." This can be a service project for an organization with which you're involved, or a fan site for an author, band, or sports team that you admire. It can be creative writing, an autobiographical photo-essay or travelogue, family genealogy project, or a tribute to a relative who has passed away. It can be an annotated edition of a favorite text, such as a poem, song lyric, or photograph.

Weblog/Wiki/MUD/Discussion Group Participation. In preparation for many, not all, of our class discussions of homework reading, you will be expected to participate in informal online writing about the reading. We'll use various formats for this online writing, including weblogs, wikis and synchronous small-group discussions in online environments such as Second Life. In order to permit discussion, this will often mean that you are required to do the reading 2 or 3 days _before_ our class session.

Nonlinear "hyper" essay: a website comprised of 1500-2000 words, spread out over ten or more web pages hyperlinked together. On activities within Second Life or else on a topic suitable for discussion on the Equality Monitor or "Living the Low-Wage Life"(other topics okay with my approval). Will include a printable (linear) version.

One-Minute Animated Film. Team project: script a film of at least one minute, using settings and characters created or found in Second Life. Topic open.

Social Impact Game Proposal. Team project: short presentation of concept for "social impact" game. Topic open.

Multi-media final project: incorporates a critical hyperessay (academic writing involving research) with other design elements: weblog, wiki, graphic display, web-delivered video, photography, sound, etc. Will include a printable (linear) element. Topic open, but requires my approval.

Attendance, academic integrity, and disability accomodation.  Because of the participatory and hands-on nature of the learning you'll do in this class, I suggest that you miss no more than 1 3-hour class, and arrive late no more than twice. Unexcused attendence problems beyond these guidelines will be reflected by a reduction in your final grade (usually 1/2 to 1 1/2 letter grades); attendance issues affecting 30% of scheduled classes will usually result in a failing grade. SCU maintains a detailed policy on academic integrity that applies to this course and which you may consult in the University Bulletin or on the Provost's web site.

Students who experience a circumstance or condition that may affect their ability to complete assignments or otherwise satisfy course criteria are encouraged to meet with me to identify, discuss, and document any feasible instructional modifications or accommodations. You may contact the Disabilities Resource Center in 214 Benson (extension 4111, TTY ext 5445). Any other issues? Please email or drop by the office to talk.

Coursework & Grading
Except for the weblog, you’ll prepare multiple versions of major class projects in response to feedback from me, technology trainers, other students and, possibly, from viewers of your projects online. There will also be a variety of participation projects and informal writing (such as playing “social impact” games and discussing the experience), which are also required.

At the end of the term, you’ll prepare a hypertext letter linking to your web-published class work and discussing what you’ve learned. If you like, you can also send me an email proposing a final grade, based on assessment criteria we’ll develop over the course of the term. I'm always available to talk if you have questions about your grade and will always take time to help you figure out how to do as well as possible.  As long as your participation remains satisfactory, extra credit is usually available.  

My approach to grading is holistic: I prefer to take all of the assignments together, including participation, and consider the context of your personal goals for the class, your growth as a writer and, especially, your self-assessment. There are many good things about this approach: most people feel that it’s fair and they appreciate that it’s individualized, and they usually appreciate that I take their opinions seriously.  Most people also feel that it helps to keep the focus on the writing process.  On the negative side, we sometimes prefer what feels like the clarity, simplicity, and familiarity of a universal grading rubric that focuses on the results of your efforts:  (“A C paper fulfills the assignment, but lacks sophistication,” etc). 

My way of handling that is to ask you to develop a set of goals for yourself this quarter, and to describe the way those goals connect to the sort of grading possibilities you envision for yourself.  You’ll share those goals and ideas with others and with me, and those exchanges may motivate you to revise your goals. Eventually that statement will be part of your portfolio: your concluding letter will reflect on the work you’ve done and on your goals.   While I retain full responsibility for assessing your final grade, I take your assessments and grade proposals seriously. In most cases where there appears the possibility of a substantially different assessment, or in cases where you feel that you haven’t been meeting your goals for a variety of reasons, you can request (or I may suggest) extra credit activities. DP in progress

 

 

Internet Culture in the Information Society

This course surveys major issues of digital culture, such as race in cyberspace, cyborg feminism, pornography, gaming, censorship, civil liberties, indymedia, the digital divide, privatization, the "digital public sphere" from YouTube to indymedia, the impact of globalization on the knowledge class, social networking, and the emergence of various forms of counterpower, from the Zapatista revolution to flash mobs. Participants will play and design social impact electronic games, interact in the Second Life virtual community, and learn some of the major uses, features, and forms of writing for electronic media.

This course meets weekly in the journalism laboratory (A&S 128). It fulfills the university core technology requirement, the core "third writing" requirement, and the rhetoric and writing requirement for English majors. You will not have to purchase any books for this class. We'll use a variety of web-authoring tools, principally the widely-used html editor in Macromedia's Dreamweaver Studio 8. You may wish to purchase Dreamweaver, though it is available for free use in several on-campus labs. It may be necessary to share the expenses of some additional software for group projects. You will need a flash “thumb,” “stick,” or “keychain” drive to store your work in progress.

Week 1 Introduction: Hypertext and Sociable Media
Discussion. What is the internet made of? Who “composes” the artifacts that are internet “places” and internet “culture”? How is the composition of internet culture different from the
composition of television, radio, or mass-market book culture? Is “publishing” your music, poetry, memoirs, or political views on the internet different from other kinds of publicity? What do we mean by an internet “public”?  In what ways do we people “read” or “view” internet culture differently from other forms of reading and viewing?

What is an information society? Is it a place where information technology creates a vast new “digital public sphere”? If so, who’s left out and whose voice matters? What difference does the electronic mediation of everyday activities make in such areas as communication, leisure, political organizing,and the generation and distribution of academic and professional knowledge? What is the the relationship between "knowledge workers" and other kinds of workers? How do we live out in our own lives the tension between intellectual property claims and the hopes for a "knowledge commons"? What are the consequences of an internet-mediated community and sociability, including the proliferation of subcultures and countercultures?

In the lab:  Introduction to Dreamweaver by Gloria Hofer. Goal: creation of  a personal home page, at least one activities or interests page, and a school projects page, linked together.

Key thought: “self” presentation: the self as a member of groups; participation, community, and activities as guides for personal website design.

Homework: Print, read, and annotate 3 articles:
1. Daniel Chandler, "Identities Under Construction"
2. danah boyd, "Why Youth (Heart) Social Network Sites: The Role of Networked Publics in Teenaged Social Life"
3. danah boyd,"None of This Is Real: Identity and Participation in Friendster."

Complete a draft of your Personal Hypertext Project. If you feel comfortable web-authoring, you can publish it to your account. If not, please prepare a mock-up of the site on sheets of paper, featuring the actual images, text, and links that you are planning to publish.

This can be anything you wish, so long as it expresses an aspect of your "networked self." This can be a service project for an organization with which you're involved, or a fan site for an author, band, film, game, or sports team that you admire. It can be creative writing, an autobiographical photo-essay, diary, or travelogue, family genealogy project, or a tribute to a relative who has passed away. It can be an annotated edition of a favorite text, such as a poem, song lyric, or photograph. It can be a mash-up of media texts of any kind. It can be "mystoriography" (a la Greg Ulmer; see below). Criteria: Must include at least 700 words of your own writing, spread out over 6 web pages hyperlinked together. Borrowed noncopyrighted texts, including, images, must be credited with a link back to the source page. Include as one page a description of/links to sites that influenced your own design decisions.

Dreamweaver tutorial and help pages at SCU
A good compilation of design help sites (from UC Boulder)

Very shortly, Technology Training will have lab assistance every Sunday through Thursday evening from 7-10 pm (Interim Library). Contact Gloria Hofer and Teri Escobar for news (ghofer@scu.edu, tescobar@scu.edu). In the meanwhile, the following individual assistance hours are scheduled:

Monday April 9 10-12 noon Teri Escobar, Nobili Lab
Friday   4-13 from 3:30-5 PM Gloria, Varsi Lab
Tuesday 4-17 from 4-6 PM  Gloria, Varsi Lab
Tuesday 4-24 10-12 noon Teri Escobar Nobili Lab
Tuesday 4-24 from 4-6 PM  Gloria, Varsi Lab

Other useful links for your Personal Hypertext Project

Resource Center for Cyberculture Studies
Digital Storytelling Project
http://www.elements.fiebich.biz/ (click on examples)
http://www.storycenter.org/canada/

Hypertext poetics and web design
The Web Style Guide

Mystoriography:
Greg Ulmer
Byron Hawk

Academic use of the web
The Lost Museum
Institute for Advanced Technology in the Humanities
Alan Liu's Voice of the Shuttle
George Landow's Hypertext Theory pages

Lev Manovich, Models of Authorship in New Media
Ziming Liu, Reading Behavior in the Digital Environment

Week 2 Sociable Media and Identity in Cyberspace
1. Dreamweaver tutorial: publish your personal hypertext projects.
2. Discussion of reading; join Counterpower class weblog
3. Create accounts in Second Life; build avatar

Homework:
1. Revise your personal hypertext projects.
2. Finish the SL introductory tour & create your avatar (takes about 1 hour)
3. Print, read, and annotate:

Julian Dibbell, A Rape in Cyberspace
Howard Rheingold, Multi-user Dungeons and Alternate Identities

And visit the Reuters newswire in Second Life. Read for two hours, keeping a diary of at least six interesting stories. Post your reading diary, together with your annotations of Dibbell and Rheingold to the class weblog, Counterpower

Gambling in SL
LA Times article on SL "Terrorism"
"Nukes" in SL
More "Terrorism" in SL
Second Life "Griefzilla" Machinima
"Homeless" Avatar Raises Funds

Week 3 Second Life, the Turing Game, Machinima
Location Change: VARSI Macintosh Lab


1. Guided Tour of Second Life (Mike Ballen)
2. Turing Game
3. Introduction to Creating Machinima

Homework:
1. With a classmate, arrange to explore Second Life. Feel free to create avatars dissonant with your own identity (or your identity as perceived by others) and record the reactions of others. Create a hypertext diary of your experiences and impressions, including screen shots. *Alternative: if you'd rather, you may build a hypertext essay on topics suitable for inclusion in the Equality Monitor or "Living the Low-Wage Life." Other topics okay with my advance permission.
2. View Machinima films and read Machinima how-to material below. Surf Youtube, Myspace, Machinima.com, etc for machinima that interest you
3. Write a one-page proposal for a machinima film of at least one minute. Be sure to specify the genre and identify the necessary characters, locations, and props.

What is Machinima?
Trash Talk in SL
Video Games Go To the Movies
First Film About French Riots Comes Courtesy of a Video Game
Machinima With Issues

Political/Issue Films
Alex Chan, The French Democracy
SusiSpicoli, We Choose Death
Secret Studios, Secret Lives
David Riedel, "Addiction"
Documentary: Political Activism in SL

Performing a Play in Second Life
Drama: My Second Life (episode 1)
Drama: The Fixer (episode 1)

Popular series
redvsblue#1 why are we here?
redvsblue #84 strong male figure

SL News Program
Promotional video (Text 100 in SL)
Advertising Trailer (for novel) He Still Watches
Music Video: Tra5hTa1k #7 Code Monkey
Music video: One Step Closer (Sims 2)
Mighty Crane Films: Ballad of Black Mesa and AntiCitizens
Science Fiction 50s genre pic
Second Life Sampler

Second Life Machinima Resources
Basics of Creating Machinima in SL
Eric Linden's Top 10 Tips
SL versus other Platforms
Machinimoo
Thinking Machinima

Places to find Machinima:
Youtube and MySpace(tag: machinima, game videos)
Machina.com
Mackie awards
Mighty Crane
Lionhead
IClone

Week 4 Machinima Production Groups; Presentations
1. Present hypertext diaries & personal hypertext projects; peer response and revision plans.
2. Discuss Dibbell, Rheingold, Turing Game, and adventures in SL.
2. Discuss machinima viewing and present film proposals. Organize in groups of three to actually produce these films. (Each group of three will have a partner group to help in each other's acting/voiceover, etc.)
3. Film group workshop/midterm individual conferences.

Homework:
1. Film groups preproduction: generate the script, sets, props, and avatar-characters for your film.
2. Read short takes on fan and slash fiction at the MIT Communications Forum, in wired, glbtq.com and The Guardian, including the entries on fan fiction and associated legal issues in Wikipedia. Browse the Fan Fiction index and keep a diary of stories you choose to read: view at least 10 items and choose 3 that you think are especially noteworthy. On Counterpower either a) post a piece of fan fiction/fan teleplay of your own or b) post a description of a piece of fan fiction you could write, with a 300 word discussion of why you think other people will find the stories you liked noteworthy.
3. Read Jack M. Balkin's Digital Speech and Democratic Culture (55 pages), the one-page manifesto by John Perry Barlow, Declaration of the Independence of Cyberspace, and the (very short) chapter 1 Creators and chapter 4 Pirates in Lawrence Lessig's Free Culture. DISCUSS the issues raised in these texts on Counterpower.

Week 5 Authorship in New Media: Piracy and the Common Good
1. Reports on film preproduction. Tour of sets & props, dramatic reading of scripts, etc.
2. Discussion: ethics of roleplay and research in online communities.
3. Discuss fan, slash, piracy, intellectual property/democratic culture.
4. Film group workshop/midterm individual conferences.

Homework:
1. Produce film and edit rough cut (without sound).
2. Read the articles and blogs from the list below. As you read, take notes and compile a list of links to interesting blogs and blog entries, posting them to Counterpower as you read. You should write three (3) original entries and make three (3) replies. Your writing should total about 1000 words, over the course of the week. You must post on at least three (3) different days: do NOT do all your posting on one day. Some questions to get you started: In what sense do these blogs and their readerships seem like a “community” to you? Are they “real” communities? Can anyone join?
Send at least one post that finishes these sentences: “If I were to maintain a weblog, I’d like to make it like __________” and “The blog I just couldn’t stop reading was ____________” and “The blog I really think other people should read is _________”.
3. Using some of the blog search engines or major blog hosts (technorati, blogger, blogspot, bloglist, weblogreview etc) search for blogs related to your own interests (women’s soccer, cars, dancing, social justice, eg). Report briefly on these, using the Counterpower weblog.

Short articles:
Rebecca Blood, weblogs: a history and perspective
Simon Garfield, New kids on the blog
Jane Perrone, Random Reality Bites
Tony Pierce, How To Blog
Mena Trott, Blogs, Bandwidth and Banjos: Tightly knit bonds in weblogging.

slightly more advanced articles:
Anita Blanchard,  Blogs as Virtual Communities
Carolyn Wei, Formation of Norms in a Blog Community
Susan C. Herring et al, Women and Children Last: The Discursive Construction of Weblogs

personal weblogs:
greek tragedy found at: http://stephanieklein.blogs.com/
my boyfriend is a -- found at: http://www.myboyfriendisatwat.com/
dooce found at: http://www.dooce.com/
piehole found at:http://liscious.net/piehole/index.php
bellow at http://kathrynjane.blogspot.com/

anonymous workplace weblogs:
http://www.waiterrant.net/
http://anonworkblogs.blogspot.com/
“borderline teacher” at http://purplepiranha.blogspot.com/
ambulance girl at: http://ambulancegirl17-151.blogspot.com/

unique weblogs and blogs that become books:http://www.overheardinnewyork.com/
post secret at http://postsecret.blogspot.com/
Julia/Julie Project at:
http://blogs.salon.com/0001399/

political
http://thehomelessguy.blogspot.com/
http://www.huffingtonpost.com/

photo blogs: http://wvs.topleftpixel.com/

Week 6 Citizen Media 1: Weblogs and Wiki
1. Show film rough cuts.
2. Discuss blogging and indymedia material.
3. In class workshop: collaborative writing on the topic of citizen media via wiki

Homework:
1. Add sound tracks to machinima; produce final edit.
2. Glance at Kate Pullinger's new-media fiction, Inanimate Alice and Martha Deed's new-media documentary, Aftershocks, together with Edward Picot's review of them. Visit the Hypertext Nonfiction section of the Electronic Literature Organization. Keep a diary of 5 ELO nonfiction hypertexts.
3. Read articles on Flash mobs, Korean netizens and James F. Moore's The Second Superpower Rears its Beautiful Head. Visit the directory for Indymedia US, as well as sites covering the Zapatistas and the Durban Shack Dwellers' Movement the RTmark project list, the YesMen, Adbusters and the smartmeme website. Select one story from each and contribute on each to the class wiki.

Week 7 Citizen Media 2: Forms of Counterpower
May 14: 530-7 pm Required Social Networking Seminar
7:30-9:30 Discussion of reading.

Homework: Please read the introduction to the "educational gaming" issue of INNOVATE as well as the short essay Game-Informed Learning and very short interview with Clark Aldrich, The Design of Advanced Learning Engines. Next, visit the Social Impact Games site. Play three games of three different types for at least three hours total. Post a diary of your game playing and a review of the three games to the class weblog. The diary and review should be two double-spaced pages long (min. 700 words). Additionally, prepare a detailed proposal of at least 500 words for a social impact game of your own. Before class, spend an additional hour visiting some of the games recommended by others.

Week 8 Social Impact Gaming

Discussion of reading. Final project topics due.

Reading: Bousquet, "Informatics of Higher Education," Katie King, "Women in the Web," Tiziana Terranova, "Free Labor, Producing Culture for the Digital Economy," Lisa Nakamura, "Interview with Donna Haraway." All are in Bousquet and Wills, eds, The Politics of Information (Alt-X Press, 2004):
http://www.altx.com/ebooks/download.cfm/infopol.pdf
http://www.altx.com/ebooks/infopol.html

Revised Week 9 The Knowledge Worker: Robots, Cyborgs, and Capitalism

Announcements: 1. work-study position available with me this summer and next year: $15/hr. 2. reading shortened and discussion postponed to homework on Counterpower, see below). 3. IMPORTANT: final project is simplified to ACADEMIC HYPERTEXT only.

In class: Discussion of topics. Survey annotated bibliographies/reviews of literature. Discuss examples of academic hypertext. Workshop: creating your academic hypertext.

Examples in my classes at scu:
convict labor child labor*migrant farm workers
ministry to ex-convicts living wage at scu sweatshops in the bay area
strippers as low-wage workers sexism in science disparity at scu
garment workers *nail technician *morticians *child scavengers
walmart workers

Other resources for academic hypertext:
Institute for Advanced Technology in the Humanities
Resource Center for Cyberculture Studies, The Lost Museum, Alan Liu's Voice of the Shuttle, and George Landow's Hypertext Theory pages.

reading behavior (Liu) navigation (dang ) document design (The Web Style Guide )discussion of various views on "good writing" and hypertext:
Owen Strain's How to Make A Final Project Randy Brooks' Old-Fashioned Writing on the Computer: Resisting the Modular Nature of Writing in the Info-Age James Griffith, Introduction to Hypertext Papers and Web Authoring

Homework: 1. print, read, and discuss on Counterpower: Terranova and King (from collection above), plus Donna Haraway, The Cyborg Manifesto and interview with Alex Foti. 2. Create a first draft of your academic hypertext.

Revised Week 10 Networks and Globalization from Below?

Discussion of Terranova, King, Haraway and Foti interview. Academic hypertext component of final projects due.

June 13: completed academic hypertexts including printable version. Post a description and link to Counterpower when finished.

 

 

 

 

 

 

 

   

 

 

Some rights reserved.
Contact pbousquet@scu.edu